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<title>Archive Tape Name: 62re40b</title>

	<author><name>NA</name></author>

	<editor><name>NA</name></editor>

	<funder>National Science Foundation, Digital Library Initiative Phase 2</funder>

	<funder>Maurice Amado Foundation</funder>

	<funder>University of California at Davis</funder>

	<principal><name type="person">Samuel G. Armistead</name></principal>

	<principal><name>Bruce Rosenstock</name></principal>


	<sponsor><name type="org">NA</name></sponsor>



</titleStmt>

  

 <publicationStmt>

 <publisher>Samuel G. Armistead</publisher>

 <authority>Samuel G. Armistead</authority>

	<distributor>University of California</distributor>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>

	 <availability>

	   <p>Textual transcription of this tape and corresponding
	   audio file are available for purposes of research,
	   teaching, and appreciation. In some cases, either the
	   transcriptions, the audio file, or both may be used only
	   with the permission of Samuel G. Armistead send requests to address given
	   above.</p>
	  
<p>Any republication or other use of these materials must acknowledge
their source and their copyright by Samuel G. Armistead.</p>
      


	 </availability>



 </publicationStmt>



 <notesStmt><note type="general">This transcription is taken from
 Archive tape named <seg type="tapename">Reel 62-40, Side B</seg>, recorded on
 <seg type="tapedate">1962-09-04</seg>, whose digital audio file is
 named <seg type="digaudfile">62re40b</seg>. The tape was
 recorded in <seg type="place">Alcazarquivir</seg>.</note></notesStmt>



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 <recording type="audio" dur="24:40">

 <respStmt><name>Samuel G. Armistead</name><resp>interviewed and taped session</resp>

 </respStmt>



 <date>1962-09-04</date>

	    <respStmt id="INFID">

	      <!-- one of (anchor gap pb milestone lb cb timeline spangrp span linkgrp link joingrp join interpGrp interp index altgrp alt name resp) -->

	      <name>INFNAME</name><resp>informant</resp>

	    </respStmt>

 <respStmt id="ID-37-62re40b-1"><name>Zimol de  Sudri Ponte</name><resp>Informant identified as inf1 in  62re40b-1.</resp></respStmt><respStmt id="ID-36-62re40b-2"><name>Simi Saraggá</name><resp>Informant identified as inf1 in  62re40b-2.</resp></respStmt><respStmt id="ID-37-62re40b-3"><name>Zimol de  Sudri Ponte</name><resp>Informant identified as inf1 in  62re40b-3.</resp></respStmt><respStmt id="ID-37-62re40b-4"><name>Zimol de  Sudri Ponte</name><resp>Informant identified as inf1 in  62re40b-4.</resp></respStmt><respStmt id="ID-37-62re40b-5"><name>Zimol de  Sudri Ponte</name><resp>Informant identified as inf1 in  62re40b-5.</resp></respStmt><respStmt id="ID-37-62re40b-6"><name>Zimol de  Sudri Ponte</name><resp>Informant identified as inf1 in  62re40b-6.</resp></respStmt><respStmt id="ID-37-62re40b-7"><name>Zimol de  Sudri Ponte</name><resp>Informant identified as inf1 in  62re40b-7.</resp></respStmt></recording>

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	      </fileDesc>

    <encodingDesc>

   <projectDesc>

	<p>The "Folk Literature of the Sephardic Jews Multimedia
	Digital LIbrary" is funded by a three-year grant from the
	National Science Foundation, Digital Library Initiative Phase 2 and the Maurice Amado Foundation. The goal is to create a
	web-accessible archive of the Sephardic oral literature
	collected by Samuel G. Armistead, Joseph H. Silverman and Israel J. Katz in fieldwork conducted
	since 1957. </p>

      </projectDesc>

   <editorialDecl>

	<interpretation>

	  <p>Commentary on transcriptions has been provided by Samuel G. Armistead,
	  who is solely responsible for identifying the ballad-titles
	  and other genres of this folk literature.</p>

	</interpretation>

	<normalization>

	  <p>The orthographic conventions used in transcribing these
	  files are based upon those of Samuel G. Armistead. We have attempted to
	  represent all variations from the pronunciation of modern Castilian
	  Spanish and our orthography therefore captures phonetic
	  phenomena which use of modern Spanish orthography would
	  otherwise obscure. The full description of our conventions
	  is available on the home page of the website.</p>

	</normalization>

	<!-- one of (correction normalization quotation hyphenation interpretation segmentation stdvals p) -->

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	       <profileDesc>

		  <creation><date>1962-09-04</date><rs type="recordingcity">Alcazarquivir</rs>

 </creation>

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	<titleStmt>

	  <title>62re40b-2</title>
<respStmt><name>Karen L. Olson</name><resp>Supervised the editing of all transcriptions.</resp>
</respStmt><respStmt><name> Geoffrey Cheung</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name>David Jerez --&gt;</name><resp>Editor/Transcriber</resp></respStmt>

	</titleStmt>

 <publicationStmt>

 <publisher>University of California, Shields Library</publisher>

 <authority>Samuel G. Armistead</authority>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>



 </publicationStmt>

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 <recordingStmt>

 <recording type="audio" dur="04:31-06:30">

  </recording>

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	<body>

	  <div1 id="1324" type="BALLAD">

	  <opener><title>Ballad Title Not Yet Identified</title></opener>


      






      

    

  


<note id="ID-5" rend="descriptive">title: El caballo robado</note>


<note id="ID-8" rend="descriptive">  canción</note>
<l id="ID-9" rend="a">Enca del buen reye</l><l id="ID-10" rend="b">se perdió un cabayo.</l>
<l id="ID-12" rend="a">Desían que el conde</l><l id="ID-13" rend="b">le había robado.</l>
<l id="ID-15" rend="a">Atarán al conde</l><l id="ID-16" rend="b">y al pie de una torre,</l>
<l id="ID-18" rend="a">cadena al pescueso</l><l id="ID-19" rend="b">su cuerpo [e]n prisione.</l>
<l id="ID-21" rend="a">Se asomó la reyna</l><l id="ID-22" rend="b">por su corredore,</l>
<l id="ID-24" rend="a">no los tapéis conde</l><l id="ID-25" rend="b">no los tapéis none.</l><l id="ID-26" rend="ar">no los tapéis conde,</l><l id="ID-27" rend="br">no los tapéis none.</l>
<l id="ID-29" rend="a">Que para los hombres</l><l id="ID-30" rend="b">se dió los prisione[s].</l><l id="ID-31" rend="ar">que para los hombres</l><l id="ID-32" rend="br">se dió los prisione[s].</l>
<l id="ID-34" rend="a">para las mujere[s]</l><l id="ID-35" rend="b">los fuertes dolore[s].</l><l id="ID-36" rend="ar">para las mujere[s]</l><l id="ID-37" rend="br">los fuertes dolores.</l>
<l id="ID-39" rend="a">Para las donseya[s]</l><l id="ID-40" rend="b">la[s] ricas labores.</l><l id="ID-41" rend="ar">para las donseya[s]</l><l id="ID-42" rend="br">la[s] ricas labore[s].</l>
<l id="ID-44" rend="a">para lo[s] chiquito[s]</l><l id="ID-45" rend="b">lo[s] rico[s] chavito[s].</l>
<note id="ID-47" rend="descriptive">conversación</note>


<sp><speaker id="ID-50">inf1</speaker><seg>Ya está.</seg></sp>

<note id="ID-53" rend="descriptive">corte de cinta</note>


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