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<title>Archive Tape Name: 62re38a</title>

	<author><name>NA</name></author>

	<editor><name>NA</name></editor>

	<funder>National Science Foundation, Digital Library Initiative Phase 2</funder>

	<funder>Maurice Amado Foundation</funder>

	<funder>University of California at Davis</funder>

	<principal><name type="person">Samuel G. Armistead</name></principal>

	<principal><name>Bruce Rosenstock</name></principal>


	<sponsor><name type="org">NA</name></sponsor>



</titleStmt>

  

 <publicationStmt>

 <publisher>Samuel G. Armistead</publisher>

 <authority>Samuel G. Armistead</authority>

	<distributor>University of California</distributor>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>

	 <availability>

	   <p>Textual transcription of this tape and corresponding
	   audio file are available for purposes of research,
	   teaching, and appreciation. In some cases, either the
	   transcriptions, the audio file, or both may be used only
	   with the permission of Samuel G. Armistead send requests to address given
	   above.</p>
	  
<p>Any republication or other use of these materials must acknowledge
their source and their copyright by Samuel G. Armistead.</p>
      


	 </availability>



 </publicationStmt>



 <notesStmt><note type="general">This transcription is taken from
 Archive tape named <seg type="tapename">Reel 62-38, Side A</seg>, recorded on
 <seg type="tapedate">1962-09-04</seg>, whose digital audio file is
 named <seg type="digaudfile">62re38a</seg>. The tape was
 recorded in <seg type="place">Alcazarquivir</seg>.</note></notesStmt>



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 <recording type="audio" dur="23:16">

 <respStmt><name>Samuel G. Armistead</name><resp>interviewed and taped session</resp>

 </respStmt>



 <date>1962-09-04</date>

	    <respStmt id="INFID">

	      <!-- one of (anchor gap pb milestone lb cb timeline spangrp span linkgrp link joingrp join interpGrp interp index altgrp alt name resp) -->

	      <name>INFNAME</name><resp>informant</resp>

	    </respStmt>

 <respStmt id="ID-32-62re38a-1"><name>Sarah Gozal</name><resp>Informant identified as inf1 in  62re38a-1.</resp></respStmt><respStmt id="ID-33-62re38a-1"><name>Salomon Gozal</name><resp>Informant identified as inf2 in  62re38a-1.</resp></respStmt><respStmt id="ID-34-62re38a-1"><name>Leah Benzgidá</name><resp>Informant identified as inf3 in  62re38a-1.</resp></respStmt><respStmt id="ID-34-62re38a-2"><name>Leah Benzgidá</name><resp>Informant identified as inf1 in  62re38a-2.</resp></respStmt><respStmt id="ID-32-62re38a-2"><name>Sarah Gozal</name><resp>Informant identified as inf2 in  62re38a-2.</resp></respStmt><respStmt id="ID-33-62re38a-2"><name>Salomon Gozal</name><resp>Informant identified as inf3 in  62re38a-2.</resp></respStmt><respStmt id="ID-34-62re38a-3"><name>Leah Benzgidá</name><resp>Informant identified as inf1 in  62re38a-3.</resp></respStmt><respStmt id="ID-32-62re38a-3"><name>Sarah Gozal</name><resp>Informant identified as inf2 in  62re38a-3.</resp></respStmt><respStmt id="ID-31-62re38a-4"><name>Ester de Aragones  Emerguí</name><resp>Informant identified as inf1 in  62re38a-4.</resp></respStmt><respStmt id="ID-31-62re38a-5"><name>Ester de Aragones  Emerguí</name><resp>Informant identified as inf1 in  62re38a-5.</resp></respStmt><respStmt id="ID-31-62re38a-6"><name>Ester de Aragones  Emerguí</name><resp>Informant identified as inf1 in  62re38a-6.</resp></respStmt><respStmt id="ID-31-62re38a-7"><name>Ester de Aragones  Emerguí</name><resp>Informant identified as inf1 in  62re38a-7.</resp></respStmt><respStmt id="ID-31-62re38a-8"><name>Ester de Aragones  Emerguí</name><resp>Informant identified as inf1 in  62re38a-8.</resp></respStmt></recording>

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   <projectDesc>

	<p>The "Folk Literature of the Sephardic Jews Multimedia
	Digital LIbrary" is funded by a three-year grant from the
	National Science Foundation, Digital Library Initiative Phase 2 and the Maurice Amado Foundation. The goal is to create a
	web-accessible archive of the Sephardic oral literature
	collected by Samuel G. Armistead, Joseph H. Silverman and Israel J. Katz in fieldwork conducted
	since 1957. </p>

      </projectDesc>

   <editorialDecl>

	<interpretation>

	  <p>Commentary on transcriptions has been provided by Samuel G. Armistead,
	  who is solely responsible for identifying the ballad-titles
	  and other genres of this folk literature.</p>

	</interpretation>

	<normalization>

	  <p>The orthographic conventions used in transcribing these
	  files are based upon those of Samuel G. Armistead. We have attempted to
	  represent all variations from the pronunciation of modern Castilian
	  Spanish and our orthography therefore captures phonetic
	  phenomena which use of modern Spanish orthography would
	  otherwise obscure. The full description of our conventions
	  is available on the home page of the website.</p>

	</normalization>

	<!-- one of (correction normalization quotation hyphenation interpretation segmentation stdvals p) -->

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	       <profileDesc>

		  <creation><date>1962-09-04</date><rs type="recordingcity">Alcazarquivir</rs>

 </creation>

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	<titleStmt>

	  <title>62re38a-8</title>
<respStmt><name>Karen L. Olson</name><resp>Supervised the editing of all transcriptions.</resp>
</respStmt><respStmt><name> Nancy Tamayo</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name>Cinthya M. Miranda</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name>Dolores Miralles Alberola --&gt;</name><resp>Editor/Transcriber</resp></respStmt>

	</titleStmt>

 <publicationStmt>

 <publisher>University of California, Shields Library</publisher>

 <authority>Samuel G. Armistead</authority>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>



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 <recording type="audio" dur="21:38-23:16">

  </recording>

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	  <div1 id="1177" type="BALLAD">

	  <opener><title>Infanta parida</title></opener>


      






      

    

  


<note id="ID-6" rend="descriptive">title: Infanta parida</note>


<note id="ID-9" rend="descriptive">conversación</note>


<sp><speaker id="ID-12">inf1</speaker><seg>Sabes todo ¿No?, todo le sabes.</seg></sp><sp><speaker id="ID-13">Samuel G. Armistead</speaker>
<seg>Ahora.</seg></sp>

<note id="ID-16" rend="descriptive">  canción. inf1</note>
<l id="ID-17" rend="a">Bien se la pensa la reina</l><l id="ID-18" rend="b">qu'ho[n]rada hija tenía;</l>
<l id="ID-20" rend="a">con el conde don Berzhico</l><l id="ID-21" rend="b">tres veses parida había.</l>
<l id="ID-23" rend="ar">con el conde don Berzhico,</l><l id="ID-24" rend="br">¡ay!, tres vezzes parida había.</l>
<l id="ID-26" rend="a">Se lo disen a la reina [ repite ]</l>
<note id="ID-28" rend="descriptive">conversación</note>


<sp><speaker id="ID-31">inf2</speaker><seg>"Y en el que en el vientre tiene ..."</seg></sp><sp><speaker id="ID-32">inf1</speaker><seg>¡Deja!</seg></sp><sp><speaker id="ID-33">inf2</speaker><seg>"el de los cuatro sería".</seg></sp>

<note id="ID-36" rend="descriptive">  canción. inf1</note>
<l id="ID-37" rend="a">Se lo disen a la reina,</l><l id="ID-38" rend="b">la reina no lo creía.</l>
<l id="ID-40" rend="a">Cobizhóse en manto de oro,</l><l id="ID-41" rend="b">fue a ver si's verda[d] o mentiras.</l>
<l id="ID-43" rend="ar">Cobizhóse en manto de oro,</l><l id="ID-44" rend="br">fue a ver si's verda[d] o mentiras.</l>
<l id="ID-46" rend="a">-- Hija, ¿qué son estas vozzes</l><l id="ID-47" rend="b">que las oyo por la vida?</l>
<note id="ID-49" rend="descriptive">comentario</note>


<sp><speaker id="ID-52">inf2</speaker><seg>"por la vía".</seg></sp>

<note id="ID-55" rend="descriptive">  canción</note>
<l id="ID-56" rend="ar">-- Hija, ¿qué son estas vozzes</l><l id="ID-57" rend="br">que las oyo por la vía?</l>
<l id="ID-59" rend="a">-- ¡Ay! madre sení muncho anoche ...</l>
<note id="ID-61" rend="descriptive">comentario</note>


<sp><speaker id="ID-64">inf2</speaker><seg>No, no, no.</seg></sp><sp><speaker id="ID-65">inf1</speaker><seg>¡Déjate!, Déjame de cantar.</seg></sp><sp><speaker id="ID-66">inf2</speaker><seg>Pero'spérate mujer, si no ...</seg></sp>

<note id="ID-69" rend="descriptive">  canción. inf2</note>
<l id="ID-70" rend="a">-- Mienten, mienten, la mi madre,</l><l id="ID-71" rend="b">mienten, mi madre querida.</l>
<note id="ID-73" rend="descriptive">comentario</note>


<sp><speaker id="ID-76">inf2</speaker><seg>¡Déjate, ya desha!</seg></sp>

<note id="ID-79" rend="descriptive">  canción</note>
<l id="ID-80" rend="a">[ word ] soy yo la mi madre</l><l id="ID-81" rend="b">como de tus pies nasida</l>
<note id="ID-83" rend="descriptive">comentarios confusos. Parece que la inf1 dice que ya no va a seguir cantando pero la inf2 le dice que siga.</note>


<note id="ID-86" rend="descriptive">conversación</note>


<sp><speaker id="ID-89">inf2</speaker><seg>¡Síguele, mujer!</seg></sp><sp><speaker id="ID-90">Samuel G. Armistead</speaker>
<seg>Siga.</seg></sp><sp><speaker id="ID-91">inf1</speaker><seg>¿Dónde estaba?</seg></sp><sp><speaker id="ID-92">inf2</speaker><seg>"Mienten, mienten, la mi madre".</seg></sp>

<note id="ID-95" rend="descriptive">fin de cinta</note>


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