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<title>Archive Tape Name: 62re34a</title>

	<author><name>NA</name></author>

	<editor><name>NA</name></editor>

	<funder>National Science Foundation, Digital Library Initiative Phase 2</funder>

	<funder>Maurice Amado Foundation</funder>

	<funder>University of California at Davis</funder>

	<principal><name type="person">Samuel G. Armistead</name></principal>

	<principal><name>Bruce Rosenstock</name></principal>


	<sponsor><name type="org">NA</name></sponsor>



</titleStmt>

  

 <publicationStmt>

 <publisher>Samuel G. Armistead</publisher>

 <authority>Samuel G. Armistead</authority>

	<distributor>University of California</distributor>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>

	 <availability>

	   <p>Textual transcription of this tape and corresponding
	   audio file are available for purposes of research,
	   teaching, and appreciation. In some cases, either the
	   transcriptions, the audio file, or both may be used only
	   with the permission of Samuel G. Armistead send requests to address given
	   above.</p>
	  
<p>Any republication or other use of these materials must acknowledge
their source and their copyright by Samuel G. Armistead.</p>
      


	 </availability>



 </publicationStmt>



 <notesStmt><note type="general">This transcription is taken from
 Archive tape named <seg type="tapename">Reel 62-34, Side A</seg>, recorded on
 <seg type="tapedate">1962-08-28</seg>, whose digital audio file is
 named <seg type="digaudfile">62re34a</seg>. The tape was
 recorded in <seg type="place">Casablanca</seg>.</note></notesStmt>



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 <recording type="audio" dur="23:18">

 <respStmt><name>Samuel G. Armistead</name><resp>interviewed and taped session</resp>

 </respStmt>



 <date>1962-08-28</date>

	    <respStmt id="INFID">

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	      <name>INFNAME</name><resp>informant</resp>

	    </respStmt>

 <respStmt id="ID-27-62re34a-1"><name>Simi Salama</name><resp>Informant identified as inf1 in  62re34a-1.</resp></respStmt><respStmt id="ID-24-62re34a-1"><name>Dora de Ayach Bergel</name><resp>Informant identified as inf2 in  62re34a-1.</resp></respStmt><respStmt id="ID-24-62re34a-2"><name>Dora de Ayach Bergel</name><resp>Informant identified as inf1 in  62re34a-2.</resp></respStmt><respStmt id="ID-27-62re34a-2"><name>Simi Salama</name><resp>Informant identified as inf2 in  62re34a-2.</resp></respStmt><respStmt id="ID-27-62re34a-3"><name>Simi Salama</name><resp>Informant identified as inf1 in  62re34a-3.</resp></respStmt><respStmt id="ID-24-62re34a-3"><name>Dora de Ayach Bergel</name><resp>Informant identified as inf2 in  62re34a-3.</resp></respStmt><respStmt id="ID-23-62re34a-3"><name>Esther de Ayach Benniflah</name><resp>Informant identified as inf3 in  62re34a-3.</resp></respStmt><respStmt id="ID-27-62re34a-4"><name>Simi Salama</name><resp>Informant identified as inf1 in  62re34a-4.</resp></respStmt><respStmt id="ID-24-62re34a-4"><name>Dora de Ayach Bergel</name><resp>Informant identified as inf2 in  62re34a-4.</resp></respStmt><respStmt id="ID-23-62re34a-4"><name>Esther de Ayach Benniflah</name><resp>Informant identified as inf3 in  62re34a-4.</resp></respStmt><respStmt id="ID-27-62re34a-5"><name>Simi Salama</name><resp>Informant identified as inf1 in  62re34a-5.</resp></respStmt><respStmt id="ID-27-62re34a-6"><name>Simi Salama</name><resp>Informant identified as inf1 in  62re34a-6.</resp></respStmt><respStmt id="ID-27-62re34a-7"><name>Simi Salama</name><resp>Informant identified as inf1 in  62re34a-7.</resp></respStmt><respStmt id="ID-24-62re34a-7"><name>Dora de Ayach Bergel</name><resp>Informant identified as inf2 in  62re34a-7.</resp></respStmt><respStmt id="ID-27-62re34a-8"><name>Simi Salama</name><resp>Informant identified as inf1 in  62re34a-8.</resp></respStmt><respStmt id="ID-24-62re34a-8"><name>Dora de Ayach Bergel</name><resp>Informant identified as inf2 in  62re34a-8.</resp></respStmt></recording>

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    <encodingDesc>

   <projectDesc>

	<p>The "Folk Literature of the Sephardic Jews Multimedia
	Digital LIbrary" is funded by a three-year grant from the
	National Science Foundation, Digital Library Initiative Phase 2 and the Maurice Amado Foundation. The goal is to create a
	web-accessible archive of the Sephardic oral literature
	collected by Samuel G. Armistead, Joseph H. Silverman and Israel J. Katz in fieldwork conducted
	since 1957. </p>

      </projectDesc>

   <editorialDecl>

	<interpretation>

	  <p>Commentary on transcriptions has been provided by Samuel G. Armistead,
	  who is solely responsible for identifying the ballad-titles
	  and other genres of this folk literature.</p>

	</interpretation>

	<normalization>

	  <p>The orthographic conventions used in transcribing these
	  files are based upon those of Samuel G. Armistead. We have attempted to
	  represent all variations from the pronunciation of modern Castilian
	  Spanish and our orthography therefore captures phonetic
	  phenomena which use of modern Spanish orthography would
	  otherwise obscure. The full description of our conventions
	  is available on the home page of the website.</p>

	</normalization>

	<!-- one of (correction normalization quotation hyphenation interpretation segmentation stdvals p) -->

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	       <profileDesc>

		  <creation><date>1962-08-28</date><rs type="recordingcity">Casablanca</rs>

 </creation>

  </profileDesc>



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	<titleStmt>

	  <title>62re34a-1</title>
<respStmt><name>Karen L. Olson</name><resp>Supervised the editing of all transcriptions.</resp>
</respStmt><respStmt><name/><resp>Editor/Transcriber</resp></respStmt><respStmt><name>Dolores Miralles Alberola</name><resp>Editor/Transcriber</resp></respStmt><respStmt><name/><resp>Editor/Transcriber</resp></respStmt><respStmt><name/><resp>Editor/Transcriber</resp></respStmt>

	</titleStmt>

 <publicationStmt>

 <publisher>University of California, Shields Library</publisher>

 <authority>Samuel G. Armistead</authority>

 <address>

	   <addrLine>Spanish and Classics Dept.</addrLine>

	   <addrLine>University of California at Davis</addrLine>

	   <addrLine>Davis, CA 95616</addrLine>

 </address>



 </publicationStmt>

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 <recording type="audio" dur="00:00-04:21">

  </recording>

 </recordingStmt>



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	<body>

	  <div1 id="288" type="BALLAD">

	  <opener><title>Ballad Title Not Yet Identified</title></opener>


      






      

    

  


<note id="ID-7" rend="descriptive">comentario</note>


<sp><speaker id="ID-10">inf1</speaker><seg>¿Empieso?</seg></sp>

<note id="ID-13" rend="descriptive">  canción. inf1</note>
<l id="ID-14" rend="a">Encautivo estaba el conde,</l><l id="ID-15" rend="b">malo y de melancolía;</l>
<l id="ID-17" rend="a">que lo que gana en un año,</l><l id="ID-18" rend="b">todo se le va en un día,</l><l id="ID-19" rend="ar">que lo que gana en un año,</l><l id="ID-20" rend="br">todo se le va en un día, [ repite ]</l>
<note id="ID-22" rend="descriptive">conversación</note>


<sp><speaker id="ID-25">inf2</speaker><seg>No lo repitas.</seg></sp><sp><speaker id="ID-26">inf1</speaker><seg>Ah, no puede ser.</seg></sp><sp><speaker id="ID-27">inf2</speaker><seg>¡Ves tú! Por eso yo me equivocaba ayer.</seg></sp><sp><speaker id="ID-28">Samuel G. Armistead</speaker>
<seg>No, no, es igual, está muy bien.</seg></sp><sp><speaker id="ID-29">inf3</speaker><seg>Sigue.</seg></sp><sp><speaker id="ID-30">inf1</speaker><seg>¿No importa? Entonses repite.</seg></sp><sp><speaker id="ID-31">inf2</speaker><seg>Sí, porque eso me pasaba a mí ayer.</seg></sp><sp><speaker id="ID-32">inf3</speaker><seg>Sigue, mamá.</seg></sp>

<note id="ID-35" rend="descriptive">  canción</note>
<l id="ID-36" rend="ar">que lo que gana en un año,</l><l id="ID-37" rend="br">todo se le va en un día,</l>
<l id="ID-39" rend="a">en gayinas y en capones</l><l id="ID-40" rend="b">y en comidas que hasía.</l>
<l id="ID-42" rend="a">Vio venir un pa ... [ se corrige ] Fuérase a la mar salada</l><l id="ID-43" rend="b">a dar descanso a su vida.</l>
<l id="ID-45" rend="a">Vio venir un pajesito,</l><l id="ID-46" rend="b">que de en ca del rey venía.</l>
<l id="ID-48" rend="a">-- Por tu vida, el pajesito,</l><l id="ID-49" rend="b">Dios te guarde la tu amiga.</l>
<l id="ID-51" rend="a">Si la tienezz en Fransia,</l><l id="ID-52" rend="b">Dios te la traiga a tu viya;</l>
<l id="ID-54" rend="a">si la tienes empreñada,</l><l id="ID-55" rend="b">Dios te la traiga parida.</l>
<l id="ID-57" rend="a">-- Por tu bien hablar, el conde,</l><l id="ID-58" rend="b">un cuento te contaría:</l>
<l id="ID-60" rend="a">"Que se la pensó a la reina</l><l id="ID-61" rend="b">que honrada hija tenía.</l>
<note id="ID-63" rend="descriptive">conversación</note>


<sp><speaker id="ID-66">inf4</speaker><seg>Sigua usted, señora.</seg></sp><sp><speaker id="ID-67">Samuel G. Armistead</speaker>
<seg>Siga.</seg></sp><sp><speaker id="ID-68">inf2</speaker><seg>Siga tú, con tu vos. Sigue.</seg></sp>

<note id="ID-71" rend="descriptive">  canción</note>
<l id="ID-72" rend="ar">"Que se la pensó a la reina</l><l id="ID-73" rend="br">que honrada hija tenía;</l>
<l id="ID-75" rend="a">con el conde Don Berzhico,</l><l id="ID-76" rend="b">parir tres vezzes había.</l>
<l id="ID-78" rend="a">Y el que en el vientre tiene,</l><l id="ID-79" rend="b">el de los cuatro sería.</l>
<l id="ID-81" rend="a">Se lo disen a la reina,</l><l id="ID-82" rend="b">la reina no lo creía.</l>
<l id="ID-84" rend="a">Cobizhóse en mantón de oro,</l><l id="ID-85" rend="b">fue a ver si es verdad o mentiras.</l>
<l id="ID-87" rend="a">-- ¿Qué son estas vozzezz hija,</l><l id="ID-88" rend="b">que estó oyendo por la vía?</l>
<l id="ID-90" rend="a">Si esto es verdad, la infanta,</l><l id="ID-91" rend="b">en mal fuego [e]stázz ardida;</l>
<l id="ID-93" rend="a">si no es verdad, la infanta,</l><l id="ID-94" rend="b">reina serás de Castiya. --</l>
<l id="ID-96" rend="a">Eyos en estas palabras,</l><l id="ID-97" rend="b">los dolores la venían.</l>
<l id="ID-99" rend="a">Colores de la su cara,</l><l id="ID-100" rend="b">siempre se la [e]ndormesían.</l>
<note id="ID-102" rend="descriptive">  canción. inf2</note>
<l id="ID-103" rend="a">-- Por tu vida, la mi madre [ inf1 corrige ]</l>
<note id="ID-105" rend="descriptive"> canción. inf1</note>
<l id="ID-106" rend="a">-- Esto no es verdad, mi madre,</l><l id="ID-107" rend="b">como de tus pies nasida.</l>
<l id="ID-109" rend="a">-- Si eso es verda[d], la infanta,</l><l id="ID-110" rend="b">mi corona te pondría. --</l>
<l id="ID-112" rend="a">Entre almena y almena,</l><l id="ID-113" rend="b">un infante pariría.</l>
<l id="ID-115" rend="a">Vistióle en seda y en grana,</l><l id="ID-116" rend="b">y asomóse a la ventana.</l>
<l id="ID-118" rend="a">Por ahí pasó Zhirineldo,</l><l id="ID-119" rend="b">en la su halda le daba.</l>
<l id="ID-121" rend="a">El que criara los tres,</l><l id="ID-122" rend="b">el de los cuatro criara.</l>
<note id="ID-124" rend="descriptive">corte de cinta</note>


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